• 04.Bibliography      
  •        
  • Introduction

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  • Bryan-Wilson, Julia. “Eleven Propositions in Response to the Question: ‘What Is Contemporary about Craft?’” The Journal of Modern Craft 6, no. 1 (2013): 7–10. https://doi.org/10.2752/174967813X13535106841485.

  • “Craft | Tate.” Accessed November 8, 2025. https://www.tate.org.uk/art/art-terms/c/craft.

  • Coffield, Kris “Fracturedpolitics.Com - Critical Theory about Current Events: Interview: Timothy Morton.” Accessed December 18, 2025. https://web.archive.org/web/20110816165607/http://fracturedpolitics.com/2011/07/05/interview-timothy-morton.aspx.

  • Dubberly, Hugh. “How Cybernetics Connects Computing.” In Hippie Modernism: The Struggle for Utopia. Thames & Hudson, 2015.

  • EBSCO. “Information Age (Digital Age) | Research Starters | EBSCO Research.” Accessed January 20, 2026. https://www.ebsco.com.

  • Hayles, Nancy Katherine. “Prologue.” In How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. University of Chicago Press, 2010.

  • Lewis, Simon L. and Mark A. Maslin. “Defining the Anthropocene.” Nature 519 (n.d.): 171–80.

  • Luke, Timothy W. “Art and the Environmental Crisis: From Commodity Aesthetics to Ecology Aesthetics.” Art Journal 51, no. 2 (1992): 72–76. https://doi.org/10.2307/777398.

  • Margetts, Martina. “The Post-Craft Turn.” EP 3 (2022): 41–52.

  • Markowitz, Sally J. “The Distinction between Art and Craft.” Journal of Aesthetic Education 28, no. 1 (1994): 55–70. https://doi.org/10.2307/3333159.

  • McCullough, Malcolm. Abstracting Craft: The Practiced Digital Hand. The MIT Press, 1998.Miah, Andy. “A Critical History of Posthumanism.” The International Library of Ethics, Law and Technology, 2008, 71–94. https://doi.org/10.1007/978-1-4020-8852-0_6.

  • Morris, William. “Preface.” In Arts and Crafts Essays By Members of the Arts and Crafts Exhibition

  • Society With a Preface By William Morris. RIVINGTON, PERCIVAL, & CO., 1893.
    https://www.gutenberg.org/cache/epub/36250/pg36250-images.html.

  • Morton, Timothy. “Part One: What Are Hyperobjects?” In Hyperobjects: Philosophy and Ecology after the End of the World. 2013.

  • O’Rouke, Stephanie. 2025. “Introduction.” In Picturing Landscape in the Age of Extraction: Europe and Its Colonial Networks, 1780-1850. The University of Chicago Press.

  • “Post-Craft: Towards New Economies of Making.” Accessed December 18, 2025. https://archive.ica.art/whats-on/post-craft-towards-new-economies-making/index.html.

  • Pye, David. The Nature and Art of Workmanship. Herbert Press, 1968.

  • Roberts, Jennifer L. “Things Material Turn, Transnational Turn.” American Art 31 2 (2017): 65–69.

  • Shales, Ezra. The Shape of Craft. Reaktion Books, 2017.

  • Smith, T’ai, “The Problem with Craft.” Art Journal75, no. 1 (2016): 80-84.
    http://www.jstor.org/stable/43967655

  • Stevens, James. “Post Human Craft: A Humble Attempt to Reorient Makers to the Inevitable.” CUBIC JOURNAL Design Making —The Values Had, The Object Made, The Value Had, no. 3 (2020): 150–65. https://doi.org/DOI:%252010.31182/cubic.2020.3.29.

  • Strite, Charles P. Bread-toaster. United States Patent US1394450A, filed June 22, 1920, and issued October 18, 1921. https://patents.google.com/patent/US1394450A/en.

  • The Museum of Modern Art. “Technology | MoMA.” Accessed December 18, 2025.https://www.moma.org/collection/terms/modern-art/technology.

  • Wolfe, Cary. “In Search of Post-Humanist Theory: The Second-Order Cybernetics of Maturana and

  • Varela.” Cultural Critique, no. 30 (1995): 33–70. https://doi.org/10.2307/1354432.

  • Wolfe, Cary. “Introduction.” In What Is Posthumanism? University of Minnesota Press, 2010.Yusoff, Kathryn. A Billion Black Anthropocenes or None. University of Minnesota Press, 2018.